Artist interview · Edition 03

Conor Devlin-Powell on strange creatures, the dream world and finding beauty in darker corners.

Conor Devlin-Powell is a mixed-media artist whose work lives somewhere between the fantastical and the unsettling. Drawing on gothic literature, neurodiversity and the subconscious, he creates creatures and characters that carry both melancholy and humour in equal measure.

Working across pen, digital art and occasionally film and animation, Conor has spent a lifetime drawing — from nursery onwards, sometimes all day, sometimes all night. His work is a way of communicating things that words alone cannot reach.

8 min read

Edition 03

Conor Devlin-Powell, artist

Conor Devlin-Powell · Mixed-Media Artist · London

About You

01

For those discovering your work for the first time, how would you describe your artistic practice?

I'd describe myself as a mixed-media artist creating strange creatures from my imagination using pen, digital art (never AI… eww) and, occasionally, film and animation.

My work lives somewhere between the fantastical and the unsettling, filled with creatures from other realms, faces from nightmares and a healthy dose of supernatural absurdity.

02

Can you tell us a little about your journey as an artist? Was there a particular moment when you realised this was what you wanted to pursue?

From nursery onwards I was drawing constantly — sometimes all day, sometimes all night. As I got older, I realised how much fulfilment it gave me creatively, mentally and spiritually. It became a way to process my imagination and emotions.

When I shared my work with other people, I felt they got to know me in a completely different light. I could communicate things through images that I never could through words alone.

03

What influences your work the most? This could be people, places, books, films, music or everyday experiences.

I'm heavily inspired by gothic literature, neurodiversity, the dream world, Soviet animation and surrealism. I suppose I'm drawn to things that are a little dark but still carry a sense of whimsy.

"I've always found beauty in the darker corners of life, and I hope other people can discover that too."

Conor Devlin-Powell

Your Practice

04

Where do your ideas usually begin? With an image, a feeling, a memory or something else entirely?

My ideas come from another realm or galaxy… no, haha. Usually they begin with free drawing or an image that suddenly appears in my mind. From there, I explore why that image arrived and where it wants to take me.

05

When you're creating a new piece, what does your process typically look like from the first idea to the finished artwork?

I do a lot of free drawing, which lets my brain run wherever it wants. I often feel something internal comes out when there's no expectation of perfection. That's when the rawest images appear.

If I discover something that resonates, I'll keep developing it until it feels complete.

06

Are there themes or ideas that keep finding their way back into your work?

I do tend to draw big eyes, which is interesting because, as a child, I found it very difficult to look people in the eye. Looking back, I don't think that's a coincidence.

07

What are you exploring or becoming curious about in your work at the moment?

If I told you, I'd have to get you!

I've been exploring the dream world, my youth as a neurodivergent child navigating this crazy world, and the subconscious. In other words, expect even more wonderfully trippy work coming down the pipeline.

This Edition

08

When we approached you about collaborating with Early or Late, what interested you most about the project?

I love the idea that, in this super-disposable world of clothing and fast fashion, a T-shirt can become something as meaningful as a piece of art — something to treasure instead of throw away.

09

How does it feel to see your artwork become something people can wear rather than something displayed on a wall?

I suppose I'll have to wait and find out! But I'm incredibly excited, and I really hope I spot someone in Sainsbury's rocking my art one day. Haha!

10

Is there anything about the artwork we've selected that you'd like people to notice or spend more time with?

I'd love people to spend time with the bizarre characters and perhaps find something of themselves in them. I hope they enjoy both the melancholy and the humour these strange little nutjobs carry.

I've always found beauty in the darker corners of life, and I hope other people can discover that too.

11

What do you hope someone takes away after living with this piece?

I hope they create many stories while living with it and perhaps discover a little more compassion for the stranger parts of themselves.

Looking Ahead

12

What are you currently working on or looking forward to over the coming months?

After a long hiatus, I've got two short films coming up. One is a spooky comedy horror about ghoul-busting teenagers in Battersea, while the other is a semi-autobiographical coming-of-age comedy. I probably shouldn't say too much about that one just yet, but there are definitely a few chuckles in it.

There are also some fine art projects in the works… although they're tippity toppity secret for now.

In Brief

A book everyone should read

Persepolis by Marjane Satrapi

An artist more people should discover

Gosha Ostretsov

A place that inspires you

Battersea

A film you return to

Spirited Away

One word that describes your work

Otherworldly

Edition 03

Explore Conor Devlin-Powell's work and available editions.